Here are some photos from a couple of different trips down into Old Louisville. As I mentioned previously, the area is rich in history, and is decorated with enormous old Victorian homes. St. James Court (below) is a premiere place to be, and home of an annual art fair. The area is dotted with real gaslamps! So charming!

Below is the clock tower on the University of Louisville campus, and on the right, a beautiful church in the area.



Does that picture on the right not look exactly like a face?!



The guys I was meeting with for this photoshoot told me they were envisioning vintage imagery with little pops of color… kind of like the Pleasantville posters. I, however, was not a big fan of that idea. They were saying “Yeah, Jess, what is that called?” And I said– “Cheap photographic trick??” But, alas, I caved. I did a series of photos that all have a pop of green in them. These, to me, symbolize new life coming up from the old. We, as a part of The Louisville Project hope to bring revitalization to the neighborhood through the power of the gospel of Jesus.


Here’s one example of the amazing architecture down there. This is a famous mansion on St. James Court. Can you imagine living there back in the 1800’s??



One way to add some character to photos you make, and to give them a bit of a “fine art” quality is to overlay a texture on top of them. It just makes for an interesting pic, don’t you think?

So, the next time you are out shooting pics in an area, take time to see the interesting textures around you and take a pic of them to use in your image editing. I think it is especially neat to overlay a texture from that same area onto a pic. Its as if you are infusing a bit more of the spirit of the place onto the photo or something. As I was shooting around Old Louisville I snapped this one:

You can click on the picture above and then save it to try on your own images! Or, another great source to find free texture files on the web is Grunge Textures. If you have some cash to drop, see Jesh de Rox’s incredible fine art textures, or these by my friend’s husband, an awesome photographer, Matt Nicolosi. Of course, there are also the Totally Rad textures from the Boutwells. You MUST get the Totally Rad actions if you’ve not… I process nearly every image on this blog using something they’ve made.
Basic Texture Layer Tutorial:
Here’s what you do in Photoshop–
1. Open your photo you want to apply texture to
2. Open the texture file
3. Go to the layers palette and drag the layer texture over onto your photo. Then you will see the texture on top of your photo. Make sure they are lined up so your texture covers the whole photo (this may involve changing the size of the texture layer–(hit Cmd- T to transform the layer size)
4. Set the layer type of the texture layer to Overlay (this is in the layers palette… it says “Normal” until you change in)
5. Change the opacity of the texture level until you like what you see!
6. Flatten and Save!
If you try this tutorial out– leave us a link in the comments so we can see your newly textured image!
So, as my boyfriend was equipped with his newfound knowledge of the basics of photography, I would ask him little quiz questions as we were strolling along. I said- okay… so you are at f2.8 (the lowest that lens goes) and your shutter speed is 1/50*… and your photo is still underexposed– what do you do? He thought about it a minute and answered “Raise the ISO?” I said “Yes! You are so smart!” and beamed with pride at my new little student. (*I had told him that 1/60 was usually about the slowest shutter speed that is very safe when you are handholding, as a very general rule of thumb.)
So, it was on to his next assignment. I said… you see these leaves? I said I want you to focus on *these* leaves… and none of the others, but I don’t want them in the middle of the shot.
And he did it!

So, I was teaching him a couple of different, basic things.
1) The rule of thirds– For some reason, things are aesthetically pleasing to the eye when they sit at the intersection of a photo that is divided in thirds. So, when composing a photo, you should think of a grid like this in your head. One of the places where the arrows point should be the focal point of your photo

So, at least he didn’t put it smack in the middle of the frame. I told him that I’d recently heard that Hitler was a painter, but he was always criticized for putting his subject smack dab in the middle of the pictures. Let’s see if we can find an example, internets.
I found some. Interesting.




They are a bit middle-ish.
So, that was the first thing Lee (and not Hitler) learned– for an interesting composition, most of the time, it will be aesthetically pleasing if you remember the rule of thirds.
**feel free to skip the jibber jabber below if you are not a photographer. Otherwise, you might want to punch me in the eye and tell me to stop talking. And well… that’s just not pleasant for any of us…
*
2) Focusing- I hope that somewhere, this helps just one photographer.
You have to realize, internets, that I’ve had nobody to teach me the fundamentals of photography. Just a bunch of blogs and a couple books, and of course, my camera manual. (Okay, let’s be honest. I didn’t actually *read* the manual…) So, when I got my Rebel xti I first began by putting the dial on the little green square (Automatic) and started snapping away… elated at the quality of photos it could produce. Once I graduated to shooting in Manual mode, I had to figure out this focusing thing. I first began in Automatic Focus with all 9 of the focus points selected. When your camera is set this way, your camera chooses what it thinks you want to focus on and picks those things. But sometimes (like in the above leaf picture) it would NOT have chosen the leaves I wanted.
And so, I moved onto phase three– I started adjusting my focal point. I would move the focal point to the one on the left (if I wanted the above shot) and then would switch it to the one on the right if I wanted to compose my shot with the subject on the right of the frame. Switching the focal point for every shot got real old real fast. But I didn’t know what else to do! Until I went to a photography workshop my buddy Stephen Seward had in St. Louis. He was incredibly generous to donate his time for a good cause, and answered a bunch of my amateur questions.
He rocked my world with this (totally duh!) trick. I leave my focal point on just the center dot. You focus on what you want focused on (if it is a person, it is the eyes) with your button only pressed down halfway. Then, without lifting up your finger you recompose your shot and then press the button the rest of the way! Genius!
Like I said, this is something that hopefully you are saying *duh* about… but it was such an eye opener for me that I thought maybe it might help somebody just starting out.
I processed the leaf pic, shot by my uber-cute boyfriend, a couple of different ways. Which do you prefer? I think I’m diggin the color one. Isn’t the bokeh from the twigs behind just so, so beautiful?

